Gcambridge in color sns hdr software#

In my early days I was a die hard tone mapper. Mesa Arch, Before and After Exposure Blending With Luminosity Masks Then the blending process is a little bit trickier. The only challenge you may have, which is also a challenge when using HDR software, is if you have moving leaves on trees, for example, between exposures. Since you use a base exposure, which will be done for most of your images, and simply reduce specific highlights and shadows, there shouldnвЂ™t be any ghosting. Halos simply donвЂ™t exist in luminosity mask exposure blending if youвЂ™ve done it correctly.ДЄs for ghosts, you will rarely encounter a moving object that is difficult to blend. I used an exposure two stops brighter and, with luminosity masks, I easily painted details back into this area. If I ran my exposures through an HDR program, all of the highlights in the image would have been affected to some degree, which is exactly what I didnвЂ™t want.ДЇor the darker areas, I only wanted to bring back information in one area, the side building to the right, which is noticeably dark. I very gently blended in three darker exposures to gain a little bit of control in those areas, without darkening them too much. Through bright lights like this night cityscapes are able to give off a lot of energy and dynamism. The only highlights I wanted to control in the image were the street lights, and even then I still wanted them to be bright. This is the major reason why so many are turning to luminosity masking to create natural, balanced HDRs. You do not affect any colour changes, you retain absolute sharpness, you donвЂ™t flare up noise (which means you can shoot at a much higher ISO), and you will not exaggerate chromatic aberration. In other words, your final blended image will be, more or less, exactly the same image quality as your RAW files. You do not affect any other part of the image. When exposure blending with luminosity masks, youвЂ™re working only with the RAW files to restore highlights and shadows. One guaranteed way to avoid the poor image quality we normally associate with HDR is to manually blend your exposures in Photoshop using luminosity masks. WeвЂ™ve all seen over-saturated, noisy, messy, HDR images. In this article weвЂ™ll take a look at the benefits and challenges of luminosity masks versus HDR software. If youвЂ™re new to luminosity mask exposure blending, you can see a beginnerвЂ™s tutorial on dPS in my previous article: Exposure Blending Using Luminosity Masks Tutorial In fact, luminosity masking has become an exciting buzz-term in the world of digital photography, and thereвЂ™s good reason for that. However, a large number of photographers are beginning to take the blending process into their own hands, and produced beautifully balanced HDRs using luminosity masks, probably the cleanest alternative to HDR software. HDR programs are attempting to tidy up their processes to meet the needs of the demanding HDR photographer. The goal, among many, is now a clean HDR look.

Luminosity Masks Versus HDR Software For Creating Natural Looking HDR Images

Gcambridge in color sns hdr software#